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| Diana Penty Images | Wall Papers | Diana Penty In cocktail Movie | Diana Penty Hot Images |
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| Diana Penty Images | Wall Papers | Diana Penty In cocktail Movie | Diana Penty Hot Images |
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| Diana Penty Images | Wall Papers | Diana Penty In cocktail Movie | Diana Penty Hot Images |
Cocktail gets you high on fun, frolic and life. It gives you a buzz that instills in you the desire to live life king size, while putting troubles aside. Especially the first half of the movie wherein the “awesome threesome” pull it off with such ease and vigour that even a newbie like Diana Penty connects with you in a manner that hot Deepika Padukone and funky Saif Ali Khan do.
Pritam’s music is in absolute sync with the entire youthful feel of the film and a typical love triangle story also doesn’t disappoint you. The London-based uber cool, “rich b***h” Veronica in Padukone, the techy womaniser Gautam in Saif and a simple, homely girl in Penty make for just the right cocktail of characters, relationships and situations that not just hold your interest throughout the film, but also throw you into fits of laughter and make you feel for them when strings get entangled.
The sequence where Saif dances to Sheila Ki Jawani is a laughathon, while the accident that Padukone meets with shocks you to the core. Though the second half takes you into the same complicated world which love triangles are marred with making the happy story sad. It pricks you more because the first half is a terrific blend of beauty, fun and laughter, particularly with the presence of Dimple Kapadia’s desi ways and Boman Irani’s ‘cool videshi uncle’ antics.
However, there are some loopholes in the story — for example, you fail to understand how Meera (aka Penty) falls in love with Gautam with just two words of praise, how an ultra-modern Veronica is ready to change everything about herself in a flick of a second and become a pati-vrata patni and bahu, et al — but Imtiaz Ali’s screenplay and Homi Adjania’s direction have rendered all these as merely small, unimportant criticisms.
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